He was one of the foremost pioneers in. View the Product: The Music of Miles Davis - A Study & Analysis of Compositions & Solo Transcriptions from the Great Jazz Composer and Improvisor, Series: Jazz Instruction, Contributors: Lex Giel He was always pushing the envelope and encouraging his sidemen to do the same. For the A sections of the first chorus he bases phrases around the minor pentatonic scale. 1 contributor total, last edit on Oct 26, 2016. Brooklyn N.Y: Lawrence Hill. Boston: Da Capo Press. He tends to start the majority of phrases on the 4th of the chord being played at the time and also emphasises the 6th at the end of some phrases (bar 7, A1 in chorus 1) using the F# over an A minor chord. Miles Davis' solo on: "So What"(Miles Davis) as heard on Miles Davis' recording, KIND OF BLUE(Columbia). Use a mixing console in Pro version. Solo Transcription, and analysis, Steve Khan. For the A sections of the first chorus he bases phrases around the minor pentatonic scale. Solo Guitar M S. Drums M S. View all instruments. The Jazz Book, from Ragtime to Fusion and Beyond, 6 edn. Home / Jazz Essays / Miles Davis Analysis – so What and Autumn Leaves admin 07 Dec 2017 0 Comments Davis Solo Analysis Males Davis’ solo Is very minimalist mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. Feel free to skip to the parts most relevant to you. It's widely held that Miles Davis' 1959 album Kind of Blue is the greatest jazz album of all time. Probably the best-known version is on pianist Bill Evans's trio album Sunday at the Village Vanguard from 1961. In A1 of the second chorus Davis’ explores the upper extensions of the chord (9, 11, and 13) and superimposes a D major triad on the E minor chord. Some approaches to the study of syntactic units. For the A sections of the first chorus he bases phrases around the minor pentatonic scale. Favorite. So What – Miles Davis. Miles Davis Analysis - so What and Autumn Leaves, https://phdessay.com/miles-davis-analysis-so-what-and-autumn-leaves/, Indus Valley Civilization and Lesson Plan, Miles Henry Davis Perspectives in American Jazz. Edit. S Y N T A X LECTURE 6 BASIC SYNTACTIC NOTIONS 1. I do not know how far we will tremelo . Also links … Let Professional Writer Help You, 48 Vitosha Boulevard, ground floor, 1000, Sofia, Bulgaria Bulgarian reg. Oleo is arguably the most common Rhythm Changes tune, and so studying Miles’ solo is very valuable. Solo and all starts in D Dorian and then moves up to Eb Dorian. ‘So What’ Miles Davis Solo Analysis Miles Davis’ solo is very minimalistic mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. When Miles Davis came to New York in 1945, at the age of 19, he replaced Gillespie as Parker's trumpeter for a few years and played very much in their style. date: 1958 style: modal jazz form: 32-bar AABA. Author Unregistered. High quality Bass sheet music and tabs for Tutu by Miles Davis. itc. Chords, melody, and music theory analysis of So What by Miles Davis. Edit. The central role of syntax within theoretical linguistics became clear. The first released recording of the piece appeared on Davis's album Miles Davis Quintet in 1954; [citation needed] and then appeared on his album Walkin'. Get Your Custom Essay Berendt, J. E. 1992. This song is one of the first and most famous instances of modal jazz, where the harmony is based on a scale rather than a rapidly changing series of chords. Miles Davis trumpet solo on So What - mp3 sound clips transcription and analysis by Steve Khan. By continuing we’ll assume you’re on board with our cookie policy, Your Deadline is Too Short? 90,123 views, added to favorites 1,821 times . View official tab. Miles Davis' solo on: "So What"(Miles Davis) as heard on Miles Davis' recording, KIND OF BLUE(Columbia). They return to playing in octaves for the A section. There are two different compositions entitled "So What" performed by Miles Davis. Davis was at the forefront of a number of major stylistic developments in jazz over his five-decade career. mp3 The head follows the 32-bar song form (AABA) and uses the rhythm changes chord progression. In jazz, the drums, piano, bass (and guitar, if there is one) are referred to as the . So we asked Ransom to … the frontline. 05) we return to the head which is played the same as in chorus 1 and the piece ends with a held note by the horns and a cymbal roll on the drums. custom paper from our expert writers, Miles Davis Analysis – so What and Autumn Leaves. Music video by Miles Davis performing So What (Audio). Miles Davis uses a mute. Miles Davis trumpet solo on So What - mp3 sound clips transcription and analysis by Steve Khan. He plays a run making use of the F# in order to lead back an E minor section. Chambers (final melody). The other instruments (usually brass, woodwind, saxes) are called . Blue notes- Blue melodies are full of slightly altered pitches. PhDessay is an educational resource where over 1,000,000 free essays are collected. Like many of Miles Davis's later pieces, the famous 'so-what' chords are based on fourths. The chords play on top of the horns yet quieter since the horns are in control. We use cookies to give you the best experience possible. The chord rules as most of the solo notes are chord tones. personnel: Miles Davis, trumpet; John Coltrane, tenor sax; Cannonball Adderley, alto sax; Bill Evans, piano; Paul Chambers, bass; Jimmy Cobb, drums. This song, called “So What,” is one of the most recognizable jazz songs around the world. I do not know how far we will get tonight. This changes when the horns have their solo and whilst the hi-hats are continuous and the walking bass is the same. Miles Davis was a leading figure of jazz musician the 1970s: at the time this piece was recorded. Use a mixing console in Pro version. Miles Davis moving to New York to seek out the new music of Charlie Parker, a young Frank Sinatra absorbing the performances of Billie Holiday and Ethel Waters, Lee Morgan learning the musical language of Clifford Brown… In each and every case, imitation was the key that unlocked the door to creativity. Standard song form (ABA)- a musical structure that typically consists of two musical parts. So … The phrase lengths are irregular; Davis generally uses shorter phrases in the E minor Sections taking a vertical approach to the improvisation then uses longer phrases in the contrasting F minor section where he takes a more horizontal approach. In choruses 2 and 3 (0. Miles Davis Analysis - so What and Autumn Leaves Essay 1085 Words 5 Pages ‘So What’ Miles Davis Solo Analysis Miles Davis’ solo is very minimalistic mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. During the head the piano plays chords in syncopated rhythms and the drums use a basic swung rhythm with hits emphasising off beats notes in the melody. Preview. Jekyll.” While studying this masterful solo, pay attention to the guide tones he uses from chord to chord. JAZZ THEORY … Here is the theme of So What, from the Miles Davis album Kind of Blue.This first-take, unrehearsed Miles Davis session from 1959 is a The chord rules as most of the solo notes are chord tones. Written by Miles Davis. "Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Miles Davis plays a few short phrases, the pianist comping in response. Tonight we will do a brief review of the head (melody), go over how to use the book and then start the analysis of the 1st16 bars of the solo!! Similarly to ‘So What’ he leaves rests between the phrases where the piano fills and this solo has a similar range to ‘So What’ ranging from Concert D to A. Kahn, A. edu/%7Eskd9r/Jazz-elements/Potboiler. Using notes from a number of sources including the edexcel ones. Miles Davis (Trumpet); John Coltrane (Tenor Sax); Red Garland (Piano); Paul Chambers (Acoustic Bass). Like many of Miles Davis's later pieces, the famous 'so-what' chords are based on fourths. The paper also examines the style and manner in which Davis solos, to determine how these factors bring about a ‘lyrical’ feel to his…, Souled American: How Black Music Transformed White Culture, Race Music: Black Cultures from Bebop to Hip-Hop, Music Musique: French and American Piano Composition in the Jazz Age, Kind of Blue: The Making of the Miles Davis Masterpiece, Diffusion- The UCLan Journal of Undergraduate Research, Berkeley: University of California Press. 50) the sax and trumpet do a traded solo, i. e. Sax for 8 bars, Trumpet for 8, Sax for 8, Trumpet for 8, Sax for 4, Trumpet for 4, Sax for 4, Trumpet for 4, Sax for 2, Trumpet for 2 etc.. or the 2 full choruses. Miles So What Solo Transcription (pdf) So What-C Instruments (.pdf) So What Miles Solo-Bb Instruments (.pdf) ... Notice that when Miles Davis and the other cats on Kind of Blue play this song, they use those notes most of the time-but they DO NOT sound like they are playing scales at all. SeanYoung_Music The Blues – Full Scheme of Work for KS3 Music £ 5.99 (5) SeanYoung_Music GCSE Music Listening Tests (Suitable for Edexcel, AQA, OCR and Eduqas) £ 11.99 (4) Bundle. Soundclip: See Steve's Hand-Written Solo Transcription. For the current A2 edexcel. Meister, B. Of course the top three notes are simply a G major and F major respectively, but adding a ninth in the bass of each gives them that jazzy spice and punch. The drums continue to use the same swung rhythm with the occasional fill towards the end of phrases. Bill DeMain's story on Miles Davis and Kind of Blue in our latest magazine is wonderful, but we wanted to make sure readers actually got to hear the sounds. Permission is hereby granted to. Add to playlist . The double bass is very subtle in the solos making it difficult to hear. The song plays at a slow calming tempo, this is done because the music uses phrases such as as the antecedent phrase and … whilst playing the Head section – it makes his trumpet sound quieter and ‘further away’ – he takes it off and plays normally in his solo . In the B section he again emphasis the upper extensions this time superimposing an Eb major triad over the F minor chord. This is inverted so the phrase is descending at bar H2. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. Some features of the site may not work correctly. The Music of Miles Davis: A Study & Analysis of Compositions & Solo Transcriptions from the Great Jazz Composer and Improvisor Paperback – 5 May 2005 by Lex Giel (Author) 4.7 out of 5 stars 6 ratings. Miles Davis trumpet solo on So What - mp3 sound clips transcription and analysis by Steve Khan. Then the piano responds with two chords. Sheet Music to Buy by Miles Davis. There is a quarter note at 2.31. Jazz is an aural music, and while it’s helpful to read transcriptions, it’s even more valuable to transcribe solos on your own! Reply. A decade later, he, too, was wondering what to do next. The answer came from a friend of his named George Russell (who died just last month at the age of 86). Ben Martinson December 10, 2009 Miles Davis: The Last Pioneer in American Jazz Miles Davis represents the pinnacle of modern American Jazz. The melody is incredibly simple, and so is much of the playing, but it’s effect is extraordinarily beautiful. Favorite. In the B section they play in the same octave then harmonise in the last two bars. This means it is a quarter note higher than A natural. Analysing these solos should give you an idea of the types of things you should look for when listening to a Jazz solo, and the types of things to include in your own improvisations. Kind of Blue "By Miles Davis. Amazon Price New from Used from Kindle Edition "Please retry" £16.41 — — Paperback "Please retry" £17.27 . And if you want to improve as a musician, the same must be true for you. How to play "So What" Font … We have an official So What tab made by UG professional guitarists. Don't use plagiarized sources. ‘So What’ Miles Davis Solo Analysis Miles Davis’ solo is very minimalistic mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. 46,579 views, added to favorites 84 times. Miles Davis' solo on: "So What"(Miles Davis) as heard on Miles Davis' recording, KIND OF BLUE(Columbia). YOU MUST LISTEN TO THE MILES SOLO when you learn it! McDougal Littell WORLD HISTORY PATTERNS OF INTERACTION North Carolina Lesson Plans Copyright © by McDougal Littell, a division of Houghton Mifflin Company. The differing creative approaches are evident in each of the different solos; for example, Miles Davis' solo can be characterized as very melodic which is mainly focused on thoughtful phrasing whereas Coltrane uses a harder and often scalar approach, playing faster and leaving less space between his phrasings. View official tab. It's widely held that Miles Davis' 1959 album Kind of Blue is the greatest jazz album of all time. Genre: Jazz Title: So What Composer/Artist: Miles Dewey Davis III (1926–1991) was an American jazz trumpeter, bandleader, and composer. The chords used in Miles Davis So What, play in D dorian mode for eight bars then switching to e dorian then returns to D dorian after 4 bars. So What tab by Miles Davis. Author: Created by debbiefraz. Trumpeter and 1984 NEA Jazz Master Miles Davis (1926-1991) was a life-long innovator with an uncanny ability to discover and employ talented band members, many of whom would themselves go on to fame and fortune. What to Listen For: modal improvisation; stylistic contrast among soloists (Davis, Coltrane, Adderley) Introduction . Song analysis of Miles Davis So What Miles Davis So What Song Analysis Chords. Miles Davis also uses ghost notes in this solo (bar 6 of A2 chorus) in order to vary the dynamic levels and emphasise the surrounding notes. There are two different compositions entitled "So What" performed by Miles Davis. 29) the trumpet and sax fade out and the piano solos playing the melodic phrases in the right hand whilst comping in the left hands. TBH IIRC a lot of his solos of this era have this quality, often massively anticipating chords by a bar or more. 1 R&B hit, and reached number seven on the Pop Singles chart. Like ‘So What’ the majority of his phrases are crotchet/ quaver based with occasional triplet run or semiquaver passing notes. 2006. This paper provides an analysis of the lyrical qualities of Miles Davis’s trumpet solo on the composition ‘So What’, from his 1959 album Kind of Blue. 1:36 Davis follows with a longer phrase: the piano is silent. Midlevel Analysis Main Types Histogram¶ Midlevel analysis is a qualitative annotation system of playing ideas, with nine different main categories, as defined in our paper More Info ¶ Capitol 12-inch LP T-762. Remember. Most notable is the version from the classic Miles Davis Album "Kind of Blue", with personnel: Miles Davis (trumpet), John Coltrane (tenor saxophone), Julian "Cannonball" Adderley (alto saxophone), Bill Evans (piano), Paul Chambers (bass), and Jimmy Cobb (drums). MUS 121 Jeffrey Phelps, cello and Lee Jordan-Anders, piano 14 October, 2012 Dr. Ford Tidewater Community College CA#1 The Program Sonata in A Major, Opus 69 (1808)Ludwig van Beethoven Allegro,. So what is a modal jazz song by Miles Davis which is on his album ‘Kind of Blue’. Don’t just read it without listening! ‘So What’ Miles Davis Solo Analysis Miles Davis’ solo is very minimalistic mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. ‘Autumn Leaves’ Cannonball Dearly version – Davis’ solo analysis This Davis solo Is more complex than the ;so what’ solo due to the fast harmonic pace with a new chord each bar compared to So What which only uses two chords throughout the whole piece. Miles’s solo on this one is a classic, and the arrangement and playing from all the guys is brilliant. Miles Davis' solo on: "So What"(Miles Davis) There are those who would tell you, and argue with you, in a most forceful manner that, Miles Davis' recording, "KIND OF BLUE"(Columbia), is the greatest Jazz record ever made! So What tab by Miles Davis. rhythm section. Included is a complete transcription and analysis of the following classic jazz improvisations: Billie's Bounce (Charlie Parker), So What (Miles Davis), Freddie Freeloader (Wynton Kelly), All Blues (Cannonball Adderley), Blue in Green (John Coltrane). The sax and trumpet play a repeated motif as a backing in the second and third A sections. PDF Miles Davis solo transcription of Oleo jerrieg EDUQAS SET WORKS (Toto - Africa/Bach - Badinerie) FROM 2020 BUNDLE … This song, called “So What,” is one of the most recognizable jazz songs around the world. In this blog i will be talking through the song and the solo Miles plays during the song. Lowered 3rd and lowered 7th 10. He also uses the pair of quavers starting or ending a phrase motif from ‘So What’ throughout this solo for example bar 7 of A1 chorus 1. 5 1 customer reviews. In order. He continues to use upper extensions in the first half of the last A section before returning to the pentatonic to finish the solo. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. (2017, Mar 30). In general phrases last for about 2 bars although the phrase lengths increase during the middle of the solo. 2001. He develops his opening motif (bar 2 of A1) in bar 4-7 returning to the root (E) in between each ascending then descending phrase going up to the 7th (D) in the final variation of the motif. FREE (3) Popular paid resources. Edit. When you leave room in your solo and allow your ideas to settle in something special happens. Use a mixing console in Pro version. This is just a sample. Pay attention to the intricate syncopated … For trumpet, alto saxophone, tenor saxophone, bass and piano. Song analysis of Miles Davis So What Miles Davis So What Song Analysis Chords. You can get your As with many of Miles Davis’ albums, it is hard to dissimilate the work track by track, and it’s necessary to see “Freddie Freeloader” as an ‘answer’ to the preceding “&So What”. In this chorus the double bass is prominent as the piano and drums play at a lower volume during its solo. Davis uses his opening phrase, an upbeat crotchet followed by another 3 crotchets, at the start of both choruses and continues to use the 3 crotchet pattern throughout the solo for example bar 7 of A2 in chorus 1. You are currently offline. In chorus 6 (4. So What tab by Miles Davis. Ian Wheeler says: 2019/03/24 at 4:39 pm Excellent stuff, as always. virginia. ‘So What’ Miles Davis Solo Analysis Miles Davis’ solo is very minimalistic mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. 1:38 As Davis's melodic line reaches its peak, he pulls slightly behind the beat. Solo Transcription, and analysis, Steve Khan. From the start of this solo Davis’ makes use of the upper extensions starting on the 9th (E) of the D minor chord. Brown recorded it in May 1967. Solo Guitar M S. Drums M S. View all instruments. See all 5 formats and editions Hide other formats and editions. In Chorus 4 (2. FREE (1) debbiefraz On The Waterfront. Here is the song i will be analysing: Now this song it formed around one main riff but there is a lot of improvising throughout the song. 1 contributor total, last edit on Oct 01, 2016. So What's bass line and melody are based on the D dorian scale, and the only changes are in the "B" section of the song, moving up a half step, 22, 2013 | Updated: Jan 22, 2013 | Updated: Jan 21, 2015 Allen Institute AI! Is incredibly simple, and music theory analysis of Miles Davis So What Autumn. Martinson December 10, 2009 Miles Davis represents the pinnacle of modern American jazz Miles Davis is., but it ’ s effect is extraordinarily beautiful musician the 1970s: at Village. A classic, and the arrangement and playing from all the guys is brilliant this blog i will be through... Chord to chord when i transcribed this solo of a number of major stylistic developments in jazz, pianist... Solo when you leave room in your solo and whilst the hi-hats are continuous the! … chords, melody, and So studying Miles ’ solo is very valuable over 7 minutes long was... 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Jazzstandards.Com: the piano jazz Book, from Ragtime to Fusion and Beyond, 6 edn:. Of So What song analysis chords it difficult to hear the complete recording, over minutes... Same octave then harmonise in the second chorus a repeated motif as a two-part on! Over one and a half octaves ranging from a number of sources including edexcel... - a musical Structure that typically consists of two musical parts and music theory of! Tends to leave rests of up to a bar or more on Oct,... In jazz, the pianist comping in response have this quality, often massively anticipating by. All 5 formats and editions solo and all starts in D Dorian and then moves up Eb! Short phrases, the upright bass usually plays the riff at the start to you. The trumpet at bar H2 motif as a two-part single on King Records was No! He is among the most simple, and reached number seven on the 1959 Kind. Piano is silent notes are chord tones piano is silent Drums play at a volume! 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