New Native Theater, Twin Cities, Minnesota. But before I’m placed in the same soil as my grandfathers and grandmother, I will work tirelessly to ensure that there comes a day when Americans are more likely to witness Native stories by Native People than non-natives performing redface. According to their website, the company was founded in 1993 and became the resident theater company at the Autry National Center in 1999. All rights reserved. I watched as my grandma walked straight to the president’s grave. I need to point out: we are not alone. Submissions are evaluated annually by our National Reading Panel, which is composed of nationally recognized theatre artists, directors, dramaturgs, and decision makers from professional theatre companies and universities across the United States—as well as by the Native Voices artistic and executive directors. Red Earth Arts Center, Seattle, Washington Some day the author will be buried there in the same soil. The week culminates with a festival of staged readings. Please come to Tahlequah! I was devastated. And if you think the genocide against our people is an event of the past, you’re wrong. In 2016 she had a residency at the Ingmar Bergman Estate in Sweden, and in 2017 was the … When Americans see Native People on stage for who we actually are—real people—it will be much more difficult to abide the century-old edict from our Supreme Court that we are “racially inferior” “savages.”. Todd Brian Backus, Percival Hornak, Nicholas Orvis. Theatre; Native Voices 2019 Share Facebook Twitter Linkedin Print. The majority of these ticket sales were to non-Natives, giving rise to a reality that Myth No. Native Voices at the Autry Theaters, Los Angeleles. Native Voices at the Autry, America's leading Native American theatre company, presents its 25th Annual Festival of New Plays at the Autry Museum of the American Westand La Jolla Playhouse. Girls, my father’s voice would boom every time our incessant complaining crossed his fatherly-defined threshold, we are going to visit the grave of a president. A must read for many, myself included. Yes, it is true that as a result of the genocide, American Indians now make up less than 1 percent of the population in the United States, and as you can imagine, this means we do not comprise the majority of ticket sales in American theatres. Or reach out to Randy Reinholz at Native Voices at the Autry; he and his wife Jean Bruce Scott have worked with more Native artists than anyone in the country. If you’ve never produced a play by a Native artist, how can you conclude your audience won’t like it? HowlRound is a space for knowledge-sharing, and we welcome spirited, thoughtful, and on-topic dialogue. On a recent morning, a group of actors inside the Autry Museum’s Wells Fargo Theater begins their first reading of Tara Moses’ play, “Quantum.”. I invite you, as my fellow theatre artists, to invite Native artists to your stages. For information on how to submit and current deadlines, please visit our Call for Scripts. Last updated: June 3, 2019. Today, my grandmother is buried just a few rows down from Major Ridge and John Ridge, in the small Cherokee Cemetery in Jay, Oklahoma, less than a quarter of a mile from our family’s allotment land. As my grandmother’s provocative spit demonstrates, we are still here. ROOTS Week 2020: The Fierce Urgency of Now. Following the signing of the treaty, President Jackson forcibly placed 16,000 Cherokee in concentration camps for holding until they were “sent” to what is today Oklahoma. Interview Series: Singing Cowboys & Cowgirls, What is a Western? 5th Annual YIPAP Festival Celebrates Emerging Voices in Native Theater. 5. The alternative I suggest we consider is simple: put authentic Native voices on the American stage. You honor them and all of us as you create a space for Native Voices to be heard. It’s no coincidence that the eradication of blackface in many locations accompanied the eradication of the prejudicial Jim Crow laws named after the Jim Crow performance that allowed for their existence. Please, email me. Interview Series: Picturing Indians, What is a Western? I am confident that when you read the words of the seven Native artists I’ve asked to write, you will agree with me that as American theatre artists, we are capable of much more than redface. Invite us to share our stories. More than 4,000 died on the journey now known as The Trail of Tears. The company has been hailed by critics as “a virtual Who’s Who of American Indian theatre artists,” “a hotbed for contemporary Native theatre,” “deeply compelling,” and “a powerful and eloquent voice.”, Native Voices provides a supportive, collaborative setting for Native theatre artists from across North America and is committed to putting Native narratives at the center of the American story in order to facilitate a more inclusive dialogue on what it means to be American. Top Five Myths that Perpetuate the Performance of Redface and Silence of Native Voices. Ask me. Her organization has worked with Native artists in New York for twenty-five years. 1 is based not on truth, but like redface, finds its roots in prejudicial beliefs. So when we got home, I asked Grandma. First, there is no empirical evidence to support such a conclusion. One by one, panelists outlined a vision of theater that centers Native voices both onstage and off, in which artists and makers are no longer beholden to the desires of white bodies in white seats at white-led institutions. Thank you, Mary Kathryn, for sharing your family's powerful story. As a result, if I produce a play by a Native playwright, I won’t sell any tickets. Let’s go. The performance of redface in the nineteenth century served as a necessary corollary to the development of the Supreme Court’s legal regime that defined us as “heathens” and “savages,” as redface communicated the belief that Indians are not “real people.” Without this belief, genocide would not have been possible. The trip was long. Our identity has been appropriated and used on the American stage for hundreds of years—we’ve just never had any say in it. Native Voices is a member of Actors’ Equity Association, LA Stage Alliance, and the Dramatists Guild; an associate member of the National New Play Network; and a Constituent Theatre of Theatre Communications Group (TCG), the national organization for the American theatre. Thank you for curating this series! Or Diane Fraher at AMERINDA in New York. This is simply not true. The First Look Series is a script development process that brings playwrights together with professional directors, dramaturgs, and actors. The Autry is temporarily closed to visitors. Ranking social issues by a scale of importance that puts anything deemed “historical” in an irrelevant bucket dooms us to repeat the tragedies of our past. Native Voices is a crucial part of the Autry’s mission to promote art history and cultures of the American West. For the actors involved, “Almighty Voice and his Wife” is an opportunity to perform a classical work from the Native theater canon. But truly, we’ve already been introduced. When my theatre company puts redface on our stage, we do it with the knowledge that what happened to Native People in this country is wrong; indeed, our performance of redface constitutes an artistic critique of the racial stereotypes that allowed the genocide to happen. Native American, Alaska Native, and First Nations playwrights are invited to submit their plays for the Native Voices Annual Playwrights Retreat, Festival of New Plays, Festival of Short Plays, First Look Series, and Equity productions. I was eleven years old when I realized: I had to be a lawyer. The majority of our culture was taken from us. Collaborate with us—not about us. 2017 saw the rolling world premiere of Frank’s play They Don’t Talk Back at Perseverance Theatre, Native Voices at the Autry, and La Jolla Playhouse. Perhaps the tribe could put on performances at Tsa-la-gi or NSU could stage them and workshop them at the Playhouse. But all of my efforts would amount to nothing if I didn’t first change the story. Institute of American Indian Arts Museum of Contemporary Native Arts, Santa Fe. Widely respected in both the Native American and theatre communities for its breakthrough plays and diverse programming, Native Voices maintains successful long-term relationships with Oregon Shakespeare Festival, New York’s Public Theater, Vision Maker Media, Washington’s Kennedy Center, the National Museum of the American Indian, the Alaska Native Heritage Center, Perseverance Theatre, Montana Rep, and La Jolla Playhouse, where Native Voices at the Autry was also the 2016-2018 resident theatre company. She turned and walked straight back to the minivan. Native Voices Theatre: Stories from the Indian Boarding School, November 17, 2015 Native Voices at the Autry is the only Equity theatre company devoted exclusively to developing and producing new works for the stage by Native American, Alaska Native, and First Nations playwrights. I’d only seen it once before: at my uncle’s funeral after he shot and killed himself. The article is just the start of the conversation—we want to know what you think about this subject, too! Navajo Playwright Rhiana Yazzie has received a lot of recognition in the few years from theater companies such as Mixed Blood, Teatro del Pueblo, and the Playwrights’ Center, where she is currently a Jerome Fellow. We encourage beginning, emerging, and established Native playwrights to submit. I will be more than happy to recommend a long list of talented Native artists with whom you should collaborate. I believe that once we replace redface with authentic Native voices, the United States will be able to move forward and eradicate the laws that redface served to create. true The Royal National Theatre alone in Great Britain has a current annual budget of $30 million, which is more than 1/4 of the entire National Endowment for … Photograph: The graves of Major Ridge and John Ridge. This could be viewed as an introduction, as many American theatres have never before worked with a Native artist. It’s a revolution. Recommended. The case my grandfathers had won, Worcester v. Georgia, wasn’t in the curriculum. Theater is also an avenue where Native voices can be heard. After listening to our story of survival, I knew I had to study the law. Recognizing that neither the federal government nor the State of Georgia would abide our right to remain on our ancestral lands, my grandfathers signed the Treaty of New Echota, agreeing to relinquish our cherished homeland in exchange for land in what is now Oklahoma. With the realization that redface is a colonial creation that we’ve never truly questioned, I want to highlight the “Top Five Myths” that permeate the American theatre landscape and allow the performance of redface to silence authentic Native voices. An object to be killed. Read news, see photos and watch videos. The continued dominant perception that American Indians are the racial stereotypes they see performed on the American stage is devastating to our sovereign right to define our own identity. See more ideas about theatre, set design theatre, around the worlds. I suddenly realized that I could spend the rest of my life fighting legal battles, arguing for courts to recognize that a change in the law is constitutionally required. Anyone who thinks their performance of redface is radical, witty, or somehow inviting of an audience to think critically about the perpetuation of the colonial framework that allowed genocide to occur in this country is wrong. What does it mean when, in twenty-first century America, the United States Supreme Court still classifies your people as “racially inferior?”. Let him enforce it. Wedged in the backseat between my younger sisters and their respective mountains of Barbies, the eight hour drive felt like an insufferable eternity. Receive email alerting you to new threads and the continuation of current threads. She is a dramaturg (Classic Stage Company, Kate Whoriskey, Nature Theater of Oklahoma, Native Voices at the Autry, Poor Dog Group) with an MFA in Dramaturgy from Columbia University and has worked as Humanities Manager at BAM. MINNEAPOLIS (Dec. 8, 2020) — Hennepin Theatre Trust today announced a collaboration with the Native American Community Development Institute (NACDI) to launch We Are Still Here, a multi-year initiative to uplift Native voices and stories in Minneapolis.With grant funding through the McKnight Foundation, We Are Still Here will bring large-scale, high profile public art by emerging Native … So even for a Native producing Native art, I have to listen. The practice of our culture was made illegal and for many generations, the only images of our identity we were allowed to acknowledge were non-native generated performances of redface. You could spend three years in an American law school and never know that American Indians lived, and continue to live, on the land we now call the United States. Native Voices at the Autry is the country’s only Equity theatre company devoted exclusively to developing and producing new works for the stage by Native American, Alaska Native, Native Hawaiian, and First Nations playwrights. She is an MFA … Just as blackface was created in the nineteenth century to support the legalization of the institution of slavery, redface was concurrently created to support the taking of Indian lands and lives. 4. What made my grandma, who had never so much as uttered a swear word in her life, spit on the grave of Andrew Jackson? But when I caught a glimpse of my grandma, my legs came to a standstill. The genocide against our people will never be a “thing of the past” as long as we live in a society unwilling to talk about it. I'm moved and outraged. Collaboration occurs in daily workshops with nationally recognized directors, dramaturgs, and an acting company largely composed of exceptional Native American actors. Native Voices has produced 22 fully realized plays (including 15 world premieres) and over 150 workshops and staged readings in its 21-year history. Info: TheAutry.org/COVID19. As a result, if I produce a play by a Native playwright, I won’t sell any tickets. Click to discover Living Voices. Thank you for this beautiful, clear, sharp & incredible piece! Trans [Plays] of Remembrance Short Play Festival (Live-captioned), Livestreaming a Conversation: Next Generation Voices: Social Change, Youth Activism, and Writing the Future You Want To See. Customize your performance to accommodate your group and space while adhering to safety guidelines. Carmelo began her career as a native dancer and musician, recording 3 CDs with Canyon Records. This was the very same Court my grandmother held in high esteem—the same Court that had recognized my grandfathers’ right—and thus my right—to exist. © 2020 Autry Museum of the American West. Washington Campus will be temporarily closed to the public, beginning Saturday, March 14, until further notice. Native Voices, Foreign Bodies locates theatre translation theory and practice in Japan in the post-war Showa and Heisei eras and provokes reconsideration of Western notions about the complex interaction of tongues and bodies in translation and theatre when they travel and are reconstituted under … This was no accident. Although I was, at the time, a straight-A student, I knew I wouldn’t find the answer in a textbook. And for an eleven-year-old, somewhat painful. Occurring annually in November during the Autry Museum’s American Indian Arts Marketplace, the Short Play Festival presents professional staged readings of ten- to thirty-minute plays centered around a particular theme. So this week is not an introduction. Today, Native women are more likely to be murdered than any other race in America. The Autry Museum of the American West on Feb. 4 announced the appointment of DeLanna Studi as the new co-artistic director of its Native Voices theater company. So, for the 10th anniversary of the Short Play Festival, Native Voices asked playwrights, how have 'dress codes' affected you? I feel so excited for this series! Studi’s hiring furthers the theater company’s commitment to developing and producing new works for the stage by indigenous writers, directors, producers and … … Yale Indigenous Performance Arts Program, New Haven, Connecticut. Except for a few law schools (not mine) that offer specialized federal Indian law classes, the Supreme Court’s decisions concerning American Indians were not taught, nor were they even discussed. Andrew Jackson told him: John Marshall has issued his decision. Native Voices tells stories by and about indigenous people at The Autry Museum. The museum is located in Griffith Park across from the Los Angeles Zoo. Native Voices at the Autry is devoted to developing and producing new works for the stage by Native American, Alaska Native, Native Hawaiian, and First Nations playwrights. Most Watched. Of course, that’s why it was invented. Andrew Jackson is the only president in the history of the United States to openly defy an order from the Supreme Court. And when I asked my father, his voice floundered and his eyes begged my silence. Redface, however, is not an authentic story. What is a Western? Native Voices at the Autry, founded by Randy Reinholz and his wife Jean Bruce Scott, is one of the most important and prolific producers of new Native American plays. I found every Supreme Court decision written on the American Indian. Following this decision, rates of violence against Native women skyrocketed. I have deemed this week: "Instead of Redface" (#InsteadOfRedface)—as our voices collectively question why redface is more prevalent on the American stage than our own authentic Native voices. What do we say?! La MaMa Experimental Theatre Club is committed to supporting ethnic diversity, cultural pluralism, and marginalized identities in the arts. I struggled to make sense of it. Today, the Supreme Court still considers Indians to be “racially inferior” “savages.” I suggest that after 200 years, it’s time to try an alternative. Native People do not make up a significant portion of the individuals who come to my theatre; they aren’t a noticeable part of my audience. A form of entertainment. In 1832, when the State of Georgia and the Executive Branch of the federal government threatened the Cherokee Nation’s very existence, my grandfathers—along with Principal Chief John Ross—took the Cherokee’s case to the Supreme Court of the United States. 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